I help teams create high-impact work by combining creative direction, design, and AI-driven production.

Bringing ideas to life with visuals, systems, and emerging tools to deliver work that traditional teams aren’t equipped to produce.

What I Do

I work with teams that need to evolve how they create, whether that means improving output, integrating new AI tools, or breaking through workflow bottlenecks.

I step in to:

  • Develop high-impact creative: from brand systems to campaigns and visual direction
  • Build AI-assisted production workflows that make content creation faster, more flexible, and scalable
  • Bridge strategy and execution: turning ideas into finished work without the gaps of traditional teams

Whether you need a campaign, a system, or a creative reset, I bring the thinking and execution to move it forward.

How I Work

I typically work in focused engagements designed to move quickly, solve specific problems, and deliver tangible outcomes.

1. Creative Sprint

Creative Sprint (2–4 weeks)
Focused concept development and production — from idea through to final execution.

I step in to quickly define direction, create high-impact visuals, and deliver work that’s ready to use.

Best for:

  • Launches and campaign development
  • Brand refreshes or visual direction
  • When internal teams need momentum

2. AI Workflow Integration

AI Workflow Integration
Practical implementation of AI tools into your creative and marketing processes.

I help teams move beyond experimentation and build workflows that actually support production.

Includes:

  • Tool selection and setup
  • Workflow and pipeline design
  • Prompt and asset systems
  • Team guidance and onboarding

3. Experimental Content Production

Experimental Content Production
Cinematic, stylized, or unconventional content designed to stand out.

This is where I push creative boundaries using a combination of design, storytelling, and AI-driven production.

Best for:

  • Social and attention-driven campaigns
  • Brand storytelling and visual identity pieces
  • Projects that need something different

Press & Features

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Let's Talk

If you need to move fast, experiment, or rethink how your team creates — let’s talk.

Work

Isabella Hell: From Comic Book to Animated Series

“Isabella Hell” is an adult animated satire that I am currently producing based on my original comic book. Here I illustrate how I took my original artwork to bring Isabella Hell to life, first with ComfyUI and custom Flux LoRA models, then later with Gemini, Kling, and Seedance.

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Kayla from Earth: Character and World Building

“Kayla from Earth” started as a hand-drawn comic, and I built out its characters and city using photobashing and AI as extensions of the original art. See the process behind the pages, from ink to concept art.

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Stacey Roy (LEGO Masters) | AI Virtual Talent Production Pipeline

A recent collaborated with my friend Stacey Roy, the Season 3 winner of FOX’s LEGO Masters and a prominent voice in pop culture. Our goal was to push the boundaries of virtual production, using advanced generative AI to digitize her likeness and place her as the commander in a high-fidelity, sci-fi short film.

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Case Study: End-to-End Brand Architecture & Launch Strategy for ZerOne

I led the end-to-end brand architecture and launch strategy for ZerOne, positioning three distinct sports performance sub-brands within a six-month timeline. Bridging high-level strategy with hands-on execution, I delivered a cohesive identity across digital campaigns, web development, and environmental design.

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Graphic Design Mike Roshuk Portfolio
Corporate Design, UI, and Brand Execution

Comprehensive traditional graphic design and brand execution. I deliver the foundational corporate assets your business runs on, including annual reports, UI design, and professional sales collateral.

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Hello War Kitty Soldiers VS Pikachu Bots: Inside My New AI-Generated Hard Rock Short

I’ve always loved the gritty, provocative energy of Heavy Metal illustrated magazines and anthology series like Love, Death + Robots. Recently, I decided to lean into that high-octane aesthetic, mix in some truly ridiculous pop-culture references, and see how far I could push my AI production pipeline.

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